We all need to rediscover the romance of old neighborhood bars.
And with that, Joshuah Xavier Miranda channels De Sica’s Bicycle Thieves through a nearly black can warmed by copper, cream, and tobacco tones, a restrained palette that suggests evening cafés, old signage, and the quiet optimism behind Tutto Passa, or “everything passes.”
Tiny hop illustrations look almost like ornamental printer’s marks, while the sweeping Bicycle Thief script and oversized block lettering look like Italian storefronts, vintage beer labels, and midcentury film titles all in one. There is something wonderfully grown-up about how little the design needs to say, especially when so many contemporary beers compete through maximal illustration and visual jokes. Tutto Passa instead makes a pilsner look like an invitation to sit down. It feels cinematic, local, and lived-in.
